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Holotype skull shown from above (A), the right side (B), and below (C)
Xixiasaurus (/ˌʃiːʃiəˈsɔːrəs/) is a genus of troodontiddinosaur that lived during the Late CretaceousPeriod in what is now China. The only known specimen was discovered in Xixia County, Henan Province, in central China, and became the holotype of the new genus and speciesXixiasaurus henanensis in 2010. The names refer to the areas of discovery, and can be translated as "Henan Xixia lizard". The specimen consists of an almost complete skull (except for the hindmost portion), part of the lower jaw, and teeth, as well as a partial right forelimb.
Xixiasaurus is estimated to have been 1.5 metres (5 ft) long and to have weighed 8 kilograms (18 lb). As a troodontid, it would have been bird-like and lightly built, with grasping hands and an enlarged sickle-shaped claw on the second toe. Its skull was long, with a long, low snout that formed a tapering U-shape when seen from below. The frontal bone of the forehead was dome-like in side view, which indicates it had an enlarged braincase. It differed from other troodontids in that the front of the dentary bone of the lower jaw was down-turned. Unlike in most troodontids, the teeth of Xixiasaurus did not have serrations; instead, their carinae (front and back edges) were smooth and sharp. It was distinct among troodontids in having 22 teeth in each maxilla (in other genera the maxillary tooth count was either higher or lower). (Full article...)
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Song dynasty river ship armed with a trebuchet catapult on its top deck, from the Wujing Zongyao
The Battle of Caishi (Chinese: 采石之戰) was a major naval engagement of the Jin–Song Wars of China that took place on November 26–27, 1161. It ended with a decisive Song victory, aided by their use of gunpowder weapons.
Choe Bu (Korean: 최부, 1454–1504) was a Korean diarist, historian, politician, and travel writer during the early Joseon Dynasty. He was most well known for the account of his shipwrecked travels in China from February to July 1488, during the Ming dynasty (1368–1644). He was eventually banished from the Joseon court in 1498 and executed in 1504 during two political purges. However, in 1506 he was exonerated and given posthumous honors by the Joseon court.
Choe's diary accounts of his travels in China became widely printed during the 16th century in both Korea and Japan. Modern historians also refer to his written works, since his travel diary provides a unique outsider's perspective on Chinese culture in the 15th century. The attitudes and opinions expressed in his writing represent in part the standpoints and views of the 15th century Confucian Korean literati, who viewed Chinese culture as compatible with and similar to their own. His description of cities, people, customs, cuisines, and maritime commerce along China's Grand Canal provides insight into the daily life of China and how it differed between northern and southern China during the 15th century. (Full article...)
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The Sakyamuni Buddha, by Song painter Zhang Shengwen, c. AD 1181–1186; although Buddhism was in decline and under attack by Neo-Confucian critics in the Song era, it nonetheless remained one of the major religious ideologies in China.
Chinese society during the Song dynasty (AD 960–1279) was marked by political and legal reforms, a philosophical revival of Confucianism, and the development of cities beyond administrative purposes into centers of trade, industry, and maritime commerce. The inhabitants of rural areas were mostly farmers, although some were also hunters, fishers, or government employees working in mines or the salt marshes. Conversely, shopkeepers, artisans, city guards, entertainers, laborers, and wealthy merchants lived in the county and provincial centers along with the Chinese gentry—a small, elite community of educated scholars and scholar-officials. As landholders and drafted government officials, the gentry considered themselves the leading members of society; gaining their cooperation and employment was essential for the county or provincial bureaucrat overburdened with official duties. In many ways, scholar-officials of the Song period differed from the more aristocratic scholar-officials of the Tang dynasty (618–907). Civil service examinations became the primary means of appointment to an official post as competitors vying for official degrees dramatically increased. Frequent disagreements amongst ministers of state on ideological and policy issues led to political strife and the rise of political factions. This undermined the marriage strategies of the professional elite, which broke apart as a social group and gave way to a multitude of families that provided sons for civil service.
Confucian or Legalist scholars in ancient China—perhaps as far back as the late Zhou dynasty (c. 1046–256 BC)—categorized all socioeconomic groups into four broad and hierarchical occupations (in descending order): the shi (scholars, or gentry), the nong (peasant farmers), the gong (artisans and craftsmen), and the shang (merchants). Wealthy landholders and officials possessed the resources to better prepare their sons for the civil service examinations, yet they were often rivaled in their power and wealth by merchants of the Song period. Merchants frequently colluded commercially and politically with officials, despite the fact that scholar-officials looked down on mercantile vocations as less respectable pursuits than farming or craftsmanship. The military also provided a means for advancement in Song society for those who became officers, even though soldiers were not highly respected members of society. Although certain domestic and familial duties were expected of women in Song society, they nonetheless enjoyed a wide range of social and legal rights in an otherwise patriarchal society. Women's improved rights to property came gradually with the increasing value of dowries offered by brides' families. (Full article...)
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A stamp of Zhang Heng issued by China Post in 1955
Zhang Heng began his career as a minor civil servant in Nanyang. Eventually, he became Chief Astronomer, Prefect of the Majors for Official Carriages, and then Palace Attendant at the imperial court. His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian. His political rivalry with the palace eunuchs during the reign of Emperor Shun (r. 125–144) led to his decision to retire from the central court to serve as an administrator of Hejian Kingdom in present-day Hebei. Zhang returned home to Nanyang for a short time, before being recalled to serve in the capital once more in 138. He died there a year later, in 139. (Full article...)
Cai Lun (Chinese: 蔡伦; courtesy name: Jingzhong (敬仲); c. 50–62 – 121 CE), formerly romanized as Ts'ai Lun, was a Chinese eunuch court official of the Eastern Han dynasty. He occupies a pivotal place in the history of paper due to his addition of pulp via tree bark and hemp ends which resulted in the large-scale manufacture and worldwide spread of paper. Although traditionally regarded as the inventor of paper, earlier forms of paper have existed since the 3rd century BCE, so Cai's contributions are limited to innovation, rather than invention.
Born in Guiyang Commandery [zh] (in what is now Leiyang), Cai arrived at the imperial court in Luoyang by 75 CE, where he served as a chamberlain for Emperor Ming, and then as Xiao Huangmen, an imperial messenger for Emperor Zhang. To assist Lady Dou in securing her adopted son as designated heir, he interrogated Consort Song and her sister, who then killed themselves. When Emperor He ascended the throne in 88 CE, Dou awarded Cai with two positions: Zhongchang shi [zh], a political counselor to the emperor that was the highest position for eunuchs of the time, and also as Shangfang Ling, where Cai oversaw the production of instruments and weapons at the Palace Workshop. (Full article...)
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Dragon: The Bruce Lee Story is a 1993 American biographicaldrama film directed by Rob Cohen. The film stars Jason Scott Lee, with a supporting cast including Lauren Holly, Nancy Kwan, and Robert Wagner. The film follows the life of actor and martial artist Bruce Lee (Jason) from his relocation to the United States from Hong Kong to his career as a martial arts teacher, and then as a television and film actor. It also focuses on the relationship between Bruce and his wife Linda, and the racism to which Bruce was subjected.
The primary source of the screenplay is Cadwell's 1975 biography Bruce Lee: The Man Only I Knew. Other sources include Robert Clouse's book Bruce Lee: The Biography and research by Cohen, including interviews with Cadwell and Bruce's son, Brandon Lee. Rather than a traditional biographical film, Cohen decided to include elements of mysticism and to dramatise fight scenes to give it the same tone as the films in which Bruce starred. Dragon was filmed primarily in Hong Kong, Los Angeles and San Francisco. (Full article...)
The dynasty's history is divided into two periods: during the Northern Song (北宋; 960–1127), the capital was in the northern city of Bianjing (now Kaifeng) and the dynasty controlled most of what is now East China. The Southern Song (南宋; 1127–1279) comprise the period following the loss of control over the northern half of Song territory to the Jurchen-led Jin dynasty in the Jin–Song wars. At that time, the Song court retreated south of the Yangtze and established its capital at Lin'an (now Hangzhou). Although the Song dynasty had lost control of the traditional Chinese heartlands around the Yellow River, the Southern Song Empire contained a large population and productive agricultural land, sustaining a robust economy. In 1234, the Jin dynasty was conquered by the Mongols, who took control of northern China, maintaining uneasy relations with the Southern Song. Möngke Khan, the fourth Great Khan of the Mongol Empire, died in 1259 while besieging the mountain castle Diaoyucheng in Chongqing. His younger brother Kublai Khan was proclaimed the new Great Khan and in 1271 founded the Yuan dynasty. After two decades of sporadic warfare, Kublai Khan's armies conquered the Song dynasty in 1279 after defeating the Southern Song in the Battle of Yamen, and reunited China under the Yuan dynasty. (Full article...)
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Peking opera in Shanghai, 2014
Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.
Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life. (Full article...)
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Tintin in Tibet (French: Tintin au Tibet) is the twentieth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. It was serialised weekly from September 1958 to November 1959 in Tintin magazine and published as a book in 1960. Hergé considered it his favourite Tintin adventure and an emotional effort, as he created it while suffering from traumatic nightmares and a personal conflict while deciding to leave his wife of three decades for a younger woman. The story tells of the young reporter Tintin in search of his friend Chang Chong-Chen, who the authorities claim has died in a plane crash in the Himalayas. Convinced that Chang has survived and accompanied only by Snowy, Captain Haddock and the Sherpa guide Tharkey, Tintin crosses the Himalayas to the plateau of Tibet, along the way encountering the mysterious Yeti.
Following The Red Sea Sharks (1958) and its large number of characters, Tintin in Tibet differs from other stories in the series in that it features only a few familiar characters and is also Hergé's only adventure not to pit Tintin against an antagonist. Themes in Hergé's story include extrasensory perception, the mysticism of Tibetan Buddhism, and friendship. Translated into 32 languages, Tintin in Tibet was widely acclaimed by critics and is generally considered to be Hergé's finest work; it has also been praised by the Dalai Lama, who awarded it the Light of Truth Award. The story was a commercial success and was published in book form by Casterman shortly after its conclusion; the series itself became a defining part of the Franco-Belgian comics tradition. Tintin in Tibet was adapted for the 1991 Ellipse/Nelvana animated series The Adventures of Tintin, the 1992–93 BBC Radio 5 dramatisation of the Adventures, the 1996 video game of the same name, and the 2005–06 Young Vic musical Hergé's Adventures of Tintin; it was also prominently featured in the 2003 documentary Tintin and I and has been the subject of a museum exhibition. (Full article...)
After the Chinese Communist Revolution, the Party sought to memorialize their achievements through artworks. Dong was commissioned to create a visual representation of the October 1 ceremony, which he had attended. He viewed it as essential that the painting show both the people and their leaders. After working for three months, he completed an oil painting in a folk art style, drawing upon Chinese art history for the contemporary subject. The success of the painting was assured when Mao viewed it and liked it, and it was reproduced in large numbers for display in the home. (Full article...)
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A cannon is a large-calibergun classified as a type of artillery, which usually launches a projectile using explosive chemical propellant. Gunpowder ("black powder") was the primary propellant before the invention of smokeless powder during the late 19th century. Cannons vary in gauge, effective range, mobility, rate of fire, angle of fire and firepower; different forms of cannon combine and balance these attributes in varying degrees, depending on their intended use on the battlefield. A cannon is a type of heavy artillery weapon.
The word cannon is derived from several languages, in which the original definition can usually be translated as tube, cane, or reed. In the modern era, the term cannon has fallen into decline, replaced by guns or artillery, if not a more specific term such as howitzer or mortar, except for high-caliber automatic weapons firing bigger rounds than machine guns, called autocannons. (Full article...)
Set in the People's Republic of China during the 1990s, the film centers on a 13-year-old substitute teacher, Wei Minzhi, in the Chinese countryside. Called in to substitute for a village teacher for one month, Wei is told not to lose any students. When one of the boys takes off in search of work in the big city, she goes looking for him. The film addresses education reform in China, the economic gap between urban and rural populations, and the prevalence of bureaucracy and authority figures in everyday life. It is filmed in a neorealist/documentary style with a troupe of non-professional actors who play characters with the same names and occupations as the actors have in real life, blurring the boundaries between drama and reality. (Full article...)
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Beato c. 1866
Felice Beato (c. 1832 – 29 January 1909), also known as Felix Beato, was an Italian–British photographer. He was one of the first people to take photographs in East Asia and one of the first war photographers. He is noted for his genre works, portraits, and views and panoramas of the architecture and landscapes of Asia and the Mediterranean region. Beato's travels gave him the opportunity to create images of countries, people, and events that were unfamiliar and remote to most people in Europe and North America. His work provides images of such events as the Indian Rebellion of 1857 and the Second Opium War, and represents the first substantial body of photojournalism. He influenced other photographers, and his influence in Japan, where he taught and worked with numerous other photographers and artists, was particularly deep and lasting. (Full article...)
The modern Chinese varieties make frequent use of what are called classifiers or measure words. One use of classifiers is when a noun is qualified by a numeral or demonstrative. In the Chinese equivalent of a phrase such as "three books" or "that person", it is normally necessary to insert an appropriate classifier between the numeral/demonstrative and the noun. For example, in Standard Chinese, the first of these phrases would be: (Full article...)
... that Gil Kim played professional baseball in the Netherlands, China, Australia, Spain, and Venezuela, scouted in Mexico and the Dominican Republic, and coaches in Canada?
...that when Tang dynasty general Zhang Yi signed a peace treaty with Tufan, he made an offering of goats instead of the customary cattle and horses because he was embarrassed to be dealing with "barbarians"?
It has a low sugar content (19%) and low saturated fat content (2%). By comparison, cotton candy is fat free with a very high sugar content (94%). Dragon's beard candy has a very short shelf life. It is highly sensitive to moisture and tends to melt when exposed to higher temperatures, notably during warm weather. (Full article...)
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Spirit way viewed south from the inner gate of the Mausoleum
The Qian Mausoleum (Chinese: 乾陵; pinyin: Qiánlíng) is a Tang dynasty (618–907) tomb site located in Qian County, Shaanxi Province, China, and is 85 km (53 mi) northwest of Xi'an. Built in 684 (with additional construction until 706), the tombs of the mausoleum complex house the remains of various members of the House of Li, the imperial family of the Tang dynasty. This includes Emperor Gaozong (r. 649–83), as well as his wife, Wu Zetian, who assumed the Tang throne and became China's only reigning female emperor from 690 to 705. The mausoleum is renowned for its many Tang dynasty stone statues located above ground and the mural paintings adorning the subterranean walls of the tombs. Besides the main tumulus mound and underground tomb of Emperor Gaozong and Wu Zetian, there are 17 smaller attendant tombs, or peizang mu. Presently, only five of these attendant tombs have been excavated by archaeologists, three belonging to members of the imperial family, one to a chancellor, and the other to a general of the left guard. The Shaanxi Administration of Cultural Heritage declared in 2012 that no further excavations would take place for at least 50 years. (Full article...)
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US 2nd Infantry Division move through a mountain pass at the south of Wonju
The First and Second Battles of Wonju (French: Bataille de Wonju), also known as the Wonju Campaign or the Third Phase Campaign Eastern Sector (Chinese: 第三次战役东线; pinyin: Dì Sān Cì Zhàn Yì Dōng Xiàn), was a series of engagements between North Korean and United Nations (UN) forces during the Korean War. The battle took place from December 31, 1950, to January 20, 1951, around the South Korean town of Wonju. In coordination with the Chinese capture of Seoul on the western front, the North Korean Korean People's Army (KPA) attempted to capture Wonju in an effort to destabilize the UN defenses along the central and the eastern fronts.
After a joint Chinese People's Volunteer Army (PVA) and KPA assault breached the UN defenses at Chuncheon on New Year's Eve of 1951, KPA V Corps attacked US X Corps at Wonju while KPA II Corps harassed US X Corps' rear by engaging in guerrilla warfare. In response, US X Corps under the command of Major General Edward Almond managed to cripple the KPA forces at Wonju, and the UN forces later carried out a number of anti-guerrilla operations against the KPA infiltrators. In the aftermath of the battle, the KPA forces on the central and the eastern fronts were decimated, allowing the UN front to be stabilized at the 37th parallel. (Full article...)
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The Battle of Huoyi (霍邑之戰; Wade–Giles: Huo-i) was fought in China on 8 September 617, between the forces of the rebel Duke of Tang, Li Yuan, and the army of the ruling Sui dynasty. Li Yuan, with an army of around 25,000, was advancing south along the Fen River towards the imperial capital, Daxingcheng (the modern Xi'an). His advance was stalled for two weeks due to heavy rainfall, and he was met at the town of Huoyi by an elite Sui army of 20,000 (or 30,000) men. Li Yuan's cavalry, under the command of his two eldest sons, lured the Sui out of the protection of the city walls, but in the first clash between the two main armies, Li Yuan's forces were initially driven back. At that point, possibly due to a stratagem on Li Yuan's behalf, the arrival of the rest of the rebel army, or the flanking maneuver of Li Yuan's cavalry, which had gotten behind the Sui army, the Sui troops collapsed and routed, fleeing back towards Huoyi. Li Yuan's cavalry, however, cut off their retreat. The battle was followed by the capture of weakly defended Huoyi and the advance on Daxingcheng, which fell to the rebels in November. The following year, Li Yuan deposed the Sui and proclaimed himself emperor, beginning the Tang dynasty. (Full article...)
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The Heilongjiang hand cannon (in 2021), a hand cannon dated to 1288 based on its proximity to a battle between the rebel prince Nayan and Yuan dynasty forces armed with hand cannons The Heilongjiang hand cannon or hand-gun is a bronze hand cannon manufactured no later than 1288 and is the world's oldest confirmed surviving firearm. It weighs 3.55 kg (7.83 pounds) and is 34 centimeters (13.4 inches) long. The Heilongjiang hand cannon was excavated during the 1970s in Banlachengzi, a village in Acheng District, Heilongjiang province, China. It was found alongside other bronze artifacts made in the style of the JurchenJinDynasty (12th–13th century). The hand cannon was probably used in battles fought nearby in Banlachengzi in 1287 and 1288. The History of Yuan states that a Jurchen commander by the name of Li Ting led a group of soldiers equipped with hand cannons into a military camp in 1288, as part of an anti-rebellion campaign for the Yuan dynasty. The cannon currently resides at the Heilongjiang Provincial Museum in Harbin, China. (Full article...)
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Shamanism was the dominant religion of the Jurchen people of northeast Asia and of their descendants, the Manchu people. As early as the Jin dynasty (1115–1234), the Jurchens conducted shamanic ceremonies at shrines called tangse. There were two kinds of shamans: those who entered in a trance and let themselves be possessed by the spirits, and those who conducted regular sacrifices to heaven, to a clan's ancestors, or to the clan's protective spirits.
When Nurhaci (1559–1626), the chieftain of the Jianzhou Jurchens, who was originally a vassal to the Ming dynasty, unified other Jurchen tribes under his own rule and established the Later Jin dynasty in the early 17th century, he imposed the protective spirits of his clan, the Aisin Gioro, upon other clans, and often destroyed their shrines. As early as the 1590s, he placed shamanism at the center of his state's ritual, sacrificing to heaven before engaging in military campaigns. His son and successor Hong Taiji (1592–1643), who renamed the Jurchens "Manchu" and officially proclaimed the Qing dynasty (1644–1912) in 1636, further put shamanistic practices in the service of the state, notably by forbidding others to erect new tangse (shrines) for ritual purposes. In the 1620s and 1630s, the Qing ruler conducted shamanic sacrifices at the tangse of Mukden, the Qing capital. In 1644, as soon as the Qing seized Beijing to begin their conquest of China proper, they named it their new capital and erected an official shamanic shrine there. In the Beijingtangse and in the women's quarters of the Forbidden City, Qing emperors and professional shamans (usually women) conducted shamanic ceremonies until the abdication of the dynasty in 1912. (Full article...)
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The Leader (Chinese: 领风者; pinyin: Lǐng fēng zhě) is a 2019 Chinese animatedweb series based on the life of German philosopher Karl Marx. Commissioned by the Chinese Communist Party, a production team was formed in 2016 which included propaganda departments, scholars of Marxism, and the Chinese Academy of Social Sciences. The series was announced in 2018 by the streaming service Bilibili as part of the celebration of the 200th anniversary of Marx's birth. The seven-episode series was created to attract young people to Marxism, and it was streamed weekly on Bilibili between January 28, and March 4, 2019. A webcomic version was produced by Zhong Jun, the series' chief scriptwriter.
The series' announcement attracted international interest, and its promotional video had over 200,000 views on its release day. It was primarily considered propaganda by the Western media, while Chinese viewers commented on Marx's good looks. The series had a mixed response; the first episode had over 2.8 million views in one day, and the series as a whole had at least 5.5 million views. Although it was criticized for poor animation, propagandism, and its depiction of Marx, it has sparked a discussion on Marxism and labor rights in China. (Full article...)
Tsou was a strong advocate against academic fraud and pseudoscience, and led a public campaign against what he called "unhealthy practices" such as administrators' interference in scientific research. (Full article...)
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A Haien-class frigate, either Haian or Yuyuen
Yuyuen (Chinese: 馭遠; pinyin: Yùyuǎn; Wade–Giles: Yu-yuen) was a wooden steam powered frigate built for the Imperial Chinese Navy. She was one of two ships of the Haian class, which consisted of her and her sisterHaian. They were the largest vessels built in China until the 1930s; they each ran over budget and used sub-standard building materials which limited their use. She was active in the defence of Nanking during the Sino-French War, and formed part of a squadron which was sent to relieve the blockade of Formosa. Yuyuen was sunk in Shipu Bay during the Battle of Shipu on 15 February 1885. (Full article...)
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The Ten-Thousand Buddha Hall (Wànfó diàn) of Zhenguo Temple
Zhenguo Temple (Chinese: 镇国寺) is a Buddhist temple located 10 km from Pingyao in the village of Hadongcun, in Shanxi Province, China. The temple's oldest hall, the Wanfo Hall, was built in 963 during the Northern Han dynasty, and is notable for featuring very large brackets that hold up the roof and flying eaves. The sculptures inside the hall are among the only examples of 10th century Buddhist sculpture in China. (Full article...)
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19th-century illustration from Xiangzhu liaozhai zhiyi tuyong (Liaozhai Zhiyi with commentary and illustrations; 1886)
Hu Die (Chinese: 胡蝶; Wade–Giles: Hu Tieh; 1907–08 — April 23, 1989), also known by her English name Butterfly Wu, was a popular Chinese actress during the 1920s and 1930s. She was voted China's first "Movie Queen" in 1933, and won the Best Actress Award at the 1960 Asian Film Festival for her performance in Rear Door. (Full article...)
The Han dynasty (202 BCE – 220 CE) was a period of Imperial China divided into the Western Han (202 BCE – 9 CE) and Eastern Han (25–220 CE) periods, when the capital cities were located at Chang'an and Luoyang, respectively. It was founded by Emperor Gaozu of Han and briefly interrupted by the regime of Wang Mang (r. 9–23 CE) who usurped the throne from a child Han emperor.
The Weiquan movement is a non-centralized group of lawyers, legal experts, and intellectuals in China who seek to protect and defend the civil rights of the citizenry through litigation and legal activism. The movement, which began in the early 2000s, has organized demonstrations, sought reform via the legal system and media, defended victims of human rights abuses, and written appeal letters, despite opposition from the Chinese Communist Party (CCP). Among the issues adopted by Weiquan lawyers are property and housing rights, protection for AIDS victims, environmental damage, religious freedom, freedom of speech and the press, and defending the rights of other lawyers facing disbarment or imprisonment.
Individuals involved in the Weiquan movement have met with occasionally harsh reprisals from Chinese government officials, including disbarment, detention, harassment, and, in extreme instances, torture. Authorities have also responded to the movement with the launch of an education campaign on the "socialist concept of rule of law," which reasserts the role of the CCP and the primacy of political considerations in the legal profession, and with the Three Supremes, which entrenches the supremacy of the CCP in the judicial process. (Full article...)
Image 2Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
Image 39Range of Chinese dialect groups according to the Language Atlas of China. (from Chinese culture)
Image 40Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 47Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
Image 50Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
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The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
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